Dionne Warwick produced by Burt Bacharach and Hal David? And she covers one of my favorite songs, George Harrison’s “Something?” Sign me up.
In a mere nine songs, Michael Jackson made a masterpiece. This is more or less undisputed. Let us talk about one of the most prized records in my collection.
Synthetica reminds me that I should really listen to Metric more often. Though I own this LP and a burned CD of 2003’s Old World Underground, Where Are You Now?, I somehow forget how much I enjoy them.
I love Echo & The Bunnymen’s self-titled 1987 album almost as much as I love their 1984 masterpiece Ocean Rain, but the self-titled is the one I have on vinyl, so here we are. Let’s talk about it.
Enclosed with The Believer Magazine’s 2014 Music Issue was a seven-inch record produced to coincide with a film by the same name: Une Danse Des Bouffons (A Jester’s Dance) by Marcel Dzama. The film will have its American premiere in September as a solo exhibition at New York’s David Zwirner Gallery, and this four song soundtrack makes me crave more.
A few months ago, I wrote about how our local community college library needed assistance sorting some vinyl they’d discovered in the basement, and how enthusiastically I raised my hand. Friends, never let it be said that your obsessions cannot be handsomely rewarded, for the college officially hired me to sort and catalog all eight boxes of records.
Though Ryan Adams, with or without The Cardinals, is one of my favorite musicians, I’m still working my way towards owning his entire catalog. The man is prolific, and I don’t have the disposable income that I once had. So when I stumbled upon the vinyl version of 2007’s Follow The Lights for seven dollars, I needed to finally buy it.
With this week marking the 20th anniversary of Oasis’ Definitely Maybe arriving in the world, I needed even less minimal encouragement to talk once more about the band. Because I do not own that outstanding album on vinyl, and because I’d need a book-length space (á la 33 1/3 Books) to fully articulate my thoughts, instead let’s turn our attention to Oasis’ last single, this surreal Amorphous Androgynous remix of the Noel Gallagher-sung “Falling Down.”